From the Office and Backyard to the Road, Boat, or Plane–Backstories and
Side Stories While on Assignment. Updates on Personal Projects, Too.

Archive for the ‘In print/published’ Category

The January issue of Charleston Magazine includes my travel piece on Mississippi. It’s the magazine’s first-ever Literary Arts Issue, and my story opens with a visit to William Faulkner’s longtime home.

Walking up the allée of cedars on a chilly morning in Oxford, Mississippi, there’s the feeling that you’ve arrived at one of those heavy places, thick-aired with the stories and life that you imagine and know must have existed there… at least that’s the way it feels to a writer (to me, at that moment) who wonders about the effect of place on writing, or conversely, the effect that a writer can have on a specific place.

I’d come to Rowan Oak, the homestead and William Faulkner’s white-columned house where the Nobel and Pulitzer-winning author lived for 32 years, writing stories of the South in flux… complicated, powerful tales. There looked to be no one else about, and I pushed open the front door, Faulkner’s front door.  To the right was a small desk, and then a parlor to left that looked caught in a certain kind of mid-century South, with a piano and velvet chaises. I heard a man say.  “Are you the writer giving the reading tonight at Square Books?” I looked around. No, I wasn’t giving a reading, but it became clear that the man was speaking to me.  Obviously, I’d come to a place where the first assumption is that someone is a writer. (Pretty cool.)...

You can read the entire piece on the magazine’s re-vamped website. (The issue also includes winning entries from a fiction contest… plenty of fine writing in the magazine this month.)

– Sandy Lang, January 2009

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In print/published, Literary, Travel

bookplates2

I am captivated by this time of year… the marsh grass is golden in clear evening light, bare branches of pecan trees stretch into the sky, flocks of red-winged blackbirds swirl over farm fields. There are indelible scenes everywhere. It’s a stark, beautiful season.

For a few years now, photographer Peter Frank Edwards and I have regularly explored the South in cooler months on assignments, and along the way have developed a personal project, “Winter South.”  Using some of the images from this project, last month we had a series of bookplates printed to share with friends and colleagues. (They are adhesive-backed, pretty nice quality.)  If you’d like a bookplate or two, just let me know.

– Sandy Lang, January 2009

CharlestonMagDec08cover

I haven’t even seen a printed copy yet, but I’m pleased to have a couple of food stories in the December issue of Charleston Magazine (the annual Food issue), which is now out in print and online.  One piece that got cover billing is titled “Epicurious,” and is about the new wave of ethnic grocery stores in Charleston.  Peter Frank Edwards and I spent a month of Saturdays visiting the stores this fall, including the H&L Asian Market, Euro Foods, La Tapatia, and KC International Mart.

Click here to read the feature and see some of PFE’s images.

Epicurious, Charleston Mag. 12/08

 – Sandy Lang, December 2008

PRINT Dec. 2008 Regional Design Annual

Great news… the December issue of PRINT magazine – the 2008 Regional Design Annual – includes my business cards and letterhead as one of the best-designed print pieces in the South. Big congratulations goes to my friend Amy Pastre, who was the designer for this project.  Amy is also a co-founder of Sideshow Press, and she and I often collaborate on creative projects. This is our second work to be featured in a PRINT Regional Design Annual.

This from the PRINT website:

… the volume of entries into this year’s Regional Design Annual—a tribute to traditional media if there ever was one—attests to the value of print for delivering a tactile, portable, beautiful message that can be easily read, referenced, and archived. As the floodgates opened in April and the thousands of boxes arrived in our office so that we could sift through the tens of thousands of entries, eventually winnowing them down to this year’s final selections, we witnessed print in all its glory once again. For now, we’ll pause during the cacophony going on next door to toast this year’s 863 winners—and our cheers are still louder than the din.

Sandy Lang letterhead

Above are some samples, which aren’t done justice, of course, without holding the pieces in your hand.  Amy was able to include photography, letterpress printing, color and a star… all features on my wish list for the project. (Ever since creating my first business cards as a knock-off of a 1950s Elvis concert ticket, my collateral has always included a star.) If I haven’t yet given you one of my business or notecards – and you’d like one – please let me know.  Send your post address and I’ll put one in the mail. (No matter how much digital media grows, I’ll always be partial to the look and feel of type on paper, and to the U.S. Post… another classic.)

– Sandy Lang, November 2008

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Art, Craft, In print/published

SWA

Earlier this year, another website I worked on with Blue Ion went live (love the guys over there), and I’ve been clicking through it again today. I’ll attach a few screen grabs here. The site was for Seamon Whiteside + Associates, a well-respected South Carolina firm of engineers and landscape architects. From the first time we met and visited with SWA, it was clear that the pro staff has a sense of life and fun, even though the work is challenging. Throughout the site we tried to show their creative side, that human element. Here’s my opening copy

Beyond the blueprints and plans.

Beyond the regulations and codes.

Beyond the gravel and dirt.

We see people.

Other collaborators in the project were designer Courtney Gunter and photographer Peter Frank Edwards, along with David Wood, Robert Prioleau and the rest of the team at Blue Ion.

SWA3

SWA2

– Sandy Lang, November 2008

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Art, Craft, In print/published

10.12

2008

New G&G is out

waterborn

In the new issue of Garden & Gun I’ve got a nice little piece on Aaron Wells, who builds cypress strip boats in Live Oak, Florida.  (You can read the complete story online at G&G.)  The images of Aaron in Florida and the issue’s cornbread cover shot were taken by Peter Frank Edwards.  He shot the cornbread in Birmingham, AL back in July. I went with him to assist, getting to spend an afternoon with Frank Stitt at Highlands, and eat some very good roasted chicken at Niki’s West.  We also hit Full Moon BBQ… I wrote about that sweet-tang barbecue on an earlier post.  Good stuff.

cornbread

In this issue, Peter Frank also has a gorgeous 10-page spread about Virginia Hunt Week.  You can see the hounds online here.

– October 2008, Sandy Lang

Camden race

Wispy-slender jockeys sit high in saddles wearing jerseys of purple and cream, or pink polka-dots, or stripes of aqua and teal.  Horses with coats of tan, black and smoke gather at the starting line-up on the grassy track.  They quiver, some rearing back, snorting.

All of this, and a bugle sounding, and an announcer’s voice cracking through the tall pines that shade the paddock and grandstands at the Springdale Race Track in Camden.  Everything is sharp and vivid, and we are wearing the proper ribbons to give us all of the access to the track and grounds that we’d like.   (A privilege you must pay for, or be working to get.)

Let the races begin.

“It will be different than the hazy infield crush you remember from back in college,” we’d been told by a man we’d met the night before at the Crescent Grille, a restaurant in an old bank building on Camden’s Broad Street.  (This friendly man in a blue sport coat had, like us, been dipping chunks of hot fried okra into a the spicy sauce that chef Jamie Hecker had brought out for the happy hour crowd.  We got to talking, and I mentioned that in the late 1980s I’d borrowed a linen dress and gone to the spring steeplechase races in Camden – the Carolina Cup – with two carloads of college friends.  I remember wandering off and catching glimpses of one race beyond the fenceline, but that day was mostly about the tailgating – the food, drink and socializing in the enormous sea of the infield crowd.)  “The Colonial Cup is a quieter day, less crowded,” our new Camden friend told us.  “You’ll actually see horses this time.”

He was right.  On the clear-bright Sunday of the steeplechase races there were eight events including the Colonial Cup with the $150,000 purse.  And we saw them all…  

This is the first few paragraphs of a travel story I’ve got in the latest issue of G Magazine, a fine new magazine about people, place and culture in Greenville, South Carolina.  This piece was about a road trip to one of South Carolina’s horsiest towns, Camden, and was my second or third feature to be published in the magazine.

G fall fashion

For this issue (September-October 2008), I also had the opportunity to work with the G staff on a fashion shoot by PFE Photo.  Peter Frank shot the piece at the 19th century Hagood Mill & Folklife Center in the mountains and farmland of Pickens County.  We shot in the summer, but it was a perfect location for a fall-themed shoot with an old grits mill, cabins, a creek and forest paths. (I helped with props and general production.)  One of his images is the cover shot for the G issue, with 16 more pages from the shoot inside.

 – September 2008, Sandy Lang

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In print/published, Travel

06.08

2008

West meets South

June 2008 cover

My travel piece about the Seattle food scene earned a headline on the cover of this month’s Charleston Magazine. The cover image is by Peter Frank Edwards, who besides shooting the Seattle piece and wine piece, below, has 18 pages of very cool location fashion in this issue. (In pre-production, I helped with props and locations, so I’m particularly proud of this shoot.) The Seattle piece ran 12 pages strong, with a nice layout and a sidebar to debunk how much it rains… much of the East coast actually gets more inches of rain each year, it’s just that Seattle has many more cloudy days.

Seattle1

The opening paragraphs of “Seattle by the Forkful”…

Within an hour after our plane flew over the still snow-capped Cascades and touched down in Seattle, we were walking down the steep streets to Pike Place Market to skirt around the men tossing fish up to be weighed, wrapped and iced for customers (we’d watch that spectacle more intently later on), and followed the walkway to Place Pigalle, a narrow café nearly hidden on the backside of the landmark market. From a table by a window we watched a rainstorm bring a wash of gray across Puget Sound and drank a couple glasses of Washington state red – I don’t remember the vineyard, but know if was fine, perfect even, with a plate of smoked tomatoes and Alaskan halibut, a vinegary red-skinned potato salad. (Set so far up the coast, Alaskan fish is considered local/regional here, with Seattle marinas lined with “Deadliest Catch” style boats and stacks of huge iron crab pots.)

This was a good start. I’ve spent time in San Francisco and visited Vancouver, but had never been to this Northwest city where the rugged mountain-meets-the-sea landscape has given rise to Bill Gates and his Microsoft, to Jimi Hendrix and his psychedelic guitar riffs, to the coffee world domination of Starbucks. What a mix, a draw. So on a late winter Friday, we’d made the eight-hours of flights (one connection), not only for the Pacific scenery and the cool vibe, but to taste some of the freshest food to be found in the country these days. At least that’s what I’d heard… that up in Seattle the farm-and-sea-to-table scene is tremendously rich, sometimes trendsetting. Not to be overwhelmed by all the possible sights and activities in such a city, it seemed the thing to do in Seattle was to allow food be our guide. We’d let the smell of coffee and the clink of wine glasses lead us through this unfamiliar city that’s smaller in land size than Charleston, but with even more water in its boundaries – it’s dotted with islands, criss-crossed with ferries – and is home to seven times as many people…

Seattle2

– Sandy Lang, June 2008

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Food, In print/published, Travel, Wine

H&A woman

No, this is not an illustration of me with my notebook… it’s a graphic from Home&Abroad, an online travel planner. I worked on a research and writing project for the company this spring that has just been published on their site. In the travel pages about Hilton Head Island, SC, I wrote about the Native American and Civil War history of the region, of Gullah culture and art, and of dolphins and other wildlife to be seen in the saltwater creeks.

Thank you to Michael and Clarissa at H&A for the assignment.

H&A logo

– Sandy Lang, June 2008


Over a couple of days this winter, I had an interesting collaboration with April Lamm, a Berlin-based writer who’s been a great friend since we both worked at a South Carolina surf shop during high school/college. When I got her latest call, she was in Germany in the thick of finishing a piece for Sleek, an art and fashion magazine that prints articles both in German and English.

Sleek Spring 2008 cover

My contribution was to remind April what I knew of the “House of the Future” from the 1991 Spoleto Festival, a tiny treasure which, thankfully, still stands on Charleston’s East Side. There’s so much to wonder about every time I see the arms’ width house, which I’d say is largely forgotten to most in Charleston. (But not to the neighborhood that protects it, or to Albert Allston, who built the “Site Specific” art piece for a project of the visiting artist David Hammons.) I photographed the very narrow single house, and my image ended up as a full-page picture with April’s story in the Spring 2008 issue. Wunderbar.

Sleek in print, Lamm article

– Sandy Lang, April 2008

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Art, Craft, In print/published

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